The seventh
The Seventh International Student 3D Audio Production Competition in Ambisonics 2023
In 2023, the Student 3D Audio Competition is taking place for the seventh year in a row. Again, we've got many submissions of high quality, elaborate, peppered with trend-setting ideas. The finals and award ceremony take place during the Tonmeistertagung and they will be streamed, too. As last year, the nominated pieces were already presented as part of the ORF musikprotokoll.
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The 3D categories:
- Contemporary / Computer music
- Audio drama / Documentary / Soundscapes
- Music recording / Studio production
The winner productions
Wei Yang
Gold Winner in Category 1: Contemporary Music, Computer Music.
DXARTS@University of Washington (USA), with
„ní nán“
Yongbing Dai
Silver Winner in Category 1: Contemporary Music, Computer Music.
Royal Danish Academy of Music, Copenhagen (DK), with
„Nirvana rebirth?“
Zétény Nagy
Bronze Winner in Category 1: Contemporary Music, Computer Music.
Illinois State University (USA), with
„Would There Be A Void?“
Jisu Han, Seungryeol Paik
Gold-Winner in Category 2: Audio Drama, Documentary, Soundscape.
Seoul National University (KR), with
„The Borderless Space“
Mariia Yaremak
Silver Winner in Category 2: Audio Drama, Documentary, Soundscape.
Mykola Lysenko Lviv National Music Academy, Lviv (UA), with
„If trees had a voice“
Lucca Riitano, Leonie Adam, Jan Feldmann, Adrian Hense, Leon Sudahl
Bronze Winner in Category 2: Audio Drama, Documentary, Soundscape.
HAW Hamburg (DE), with
„Der Hafen“
Felix Niedermair
Gold Winner in Category 3: Music Recording, Studio Production.
KUG, Graz (AT), with
„Fair“
Stefanos Ioannou
Silver Winner in Category 3: Music Recording, Studio Production.
HfM Detmold (DE), with
„Aquarium“
Leonard Ehlers, Maite Rauh
Bronze Winner in Category 3: Music Recording, Studio Production.
THM Wetzlar (DE), with
„Run“
Bartłomiej Mróz
Honorable Mention in Category 3: Music Recording, Studio Production.
Gdansk University of Technology (PL), with "Deux Ex Machina"
Many thanks to the Jurors who evaluated the contributions with highest verve and compentence:
Martin Supper, UdK, Berlin , Matthias Kronlachner, Vilnius , Daniel Mayer, KUG, Graz , Thibaut Carpentier, ircam, Paris , Daniel Courville, UQAM, Montreal , Gerriet K. Sharma, SPAES, Berlin , Joseph Anderson, DXARTs, University of Washington, Seattle , Nils Meyer-Kahlen, Aalto University, Espoo , Daniel Arteaga, Dolby Laboratories, Barcelona , Fränk Zimmer, ORF musikprotokoll, Graz , Adi Snir, Reichmann University, Tel Aviv.
Ana Monte, DELTA Soundworks, Sandhausen, Matthias Kronlachner, Vilnius, Annika Neidhardt, Frank Melchior, HdM, Stuttgart, Sebastià V. Amengual Garí, Meta, Seattle, Kristian Jambrošić, FER, Zagreb , Paweł Małecki, AGH, Krakow, Michael Iber, FH St Pölten, Clovis Gouaillier, UQAM, Montreal, Joseph Anderson, DXARTs, University of Washington, Seattle.
Lasse Nipkow, Silent Work, Zürich, Dietz Tinhof, Vienna Symphonic Library, Vienna, Marcel Remy, HR, Kassel, Robert Mores, HAW, Hamburg, Thomas Görne, HAW, Hamburg, Gavin Kearney, University of York, Robert Sazdov, Sydney, Tom Parnell, Bertram Kornacher, RCSMM, Madrid, Frank Melchior, HdM, Stuttgart, Daniel Arteaga, Dolby Laboratories, Barcelona, Christian Munk, munk productions, Valby, Denmark, Annika Neidhardt, Michael Iber, FH St Pölten, Clovis Gouaillier, UQAM, Montreal, Sebastià V. Amengual Garí, Meta, Seattle.
Sponsors of the Competition
ambiXes
APL
Dear Reality GmbH
FLUX:: Immersive
Harpex Ltd
IEM
Munk Productions
New Audio Technology
ORF musikprotokoll
pinguin
Sennheiser
SSA Plugins
Supperware
VDT e. V.
Vienna Symphonic Library
IEM Graz together with the ORF musikprotokoll and the VDT
The Competition is a cooperation of the Institut für Elektronische Musik und Akustik der Kunstuniversität Graz (IEM) and Verband Deutscher Tonmeister (VDT), and this year again with the ORF musikprotokoll.
The contribution format is 5th order Ambisonics as there are many free production tools available and no licence fees have to be paid. Contributing to the Competition is an important step for the students into the professional world of pro audio. At the same time there are attractive prizes for the winners waiting.
Headtracking with Camera-Tracked 3D Audio Player (Cat3DA)
It is best to use circumaural headphones. To be able to use head tracking, a webcam must be available and enabled on the playback device. The following browsers are suitable for playback: Firefox, Opera or Chrome on a PC (Mac or Windows). Playback via the Safari browser, smartphones or tablets is currently not possible or not recommended.